Action, Mystery, Thriller,

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Watch Last Passenger (2013) Full HD Movie

• MOVIE page: Last Passenger (2013)
• Genre: Action | Mystery | Thriller
• Budget: $2,500,000 (estimated)
• Director: Omid Nooshin
• Stars: Dougray Scott, Kara Tointon, Iddo Goldberg | See full cast and crew
• Original Music By: Liam Bates   
• Plot Keyword: Train | Runaway Train | Suspense | Independent Film

Writing Credits By:

• Omid Nooshin  and
• Andy Love 
• Kas Graham (additional material)

     

Plot: A small group of everyday passengers on a speeding London commuter train battle their warped driver who has a dark plan for everyone on-board. |  »

Story: A small group of everyday passengers on a speeding London commuter train battle their warped driver who has a dark plan for everyone on-board.

Produced By:

• Carola Ash known as executive producer
• Kwesi Dickson known as executive producer
• Ben Friedman known as associate producer
• Daniel Hubbard known as co-producer
• Stephen Margolis known as executive producer
• Donall McCusker known as line producer
• Fumio Nagase known as executive producer
• Steve Norris known as executive producer
• Mike Runagall known as executive producer
• Nick Smith known as executive producer
• Zack Winfield known as producer
• Ado Yoshizaki Cassuto known as producer
• Michiyo Yoshizaki known as executive producer

FullCast & Crew:

• Dougray Scott known as Lewis Shaler
• Kara Tointon known as Sarah Barwell
• Iddo Goldberg known as Jan Klimowski
• David Schofield known as Peter Carmichael
• Lindsay Duncan known as Elaine Middleton
• Joshua Kaynama known as Max Shaler
• Samuel Geker-Kawle known as Train guard
• Mark Hammett known as Voice of Driver (uncredited)

Production Companies:

• NDF International
• Future Films (executive production)
• UK Film Council (developed with the support of)
• Pinewood Studios (production company)
• 2B Pictures

Last Passenger (2013) Review by Crossinski from United Kingdom
Saw this as a preview at Pinewood Studios recently and was caught bysurprise at how accomplished it is as a first movie. Director and co-screenwriter, Omid Nooshin has crafted an intelligent and genuinelysuspenseful take on a (to be fair) not-so-original idea – the runawaytrain.

Populated by believable characters, the train journey gets underway anda clever introduction of the various relationships ensues. The numberof passengers on board dwindles to an eclectic few, seemingly in realtime, before this familiar and very British late train to Kent isinvaded by the plot of a Hollywood Blockbuster. And this merger is theheart and soul of the piece – a 'what if?' scenario that sneaks out ofnowhere, pulling the rug on what you thought you were watching.

If I had to level any major criticism it would be that the filmsultimate ambitions are occasionally betrayed by its lack of budget, butdon't let that put you off – a number of creative decisions wereprobably based around what couldn't be afforded and, in my opinion, areimproved by the inability to throw lavish visual effects at the screen.What we are left with is a taut, claustrophobic thriller that's hard tosecond guess.

The film makers influences are easy to spot, the 'Dual' like scenarioand the rattling interplay between a collection of disparate ('Jaws'-like) characters screams early Spielberg, whilst the slow build ofsimmering tension, as the reality of the situation takes hold, evokesthe sensibilities of Hitchcock, as does the Herrmann-esque score. Thesetting doesn't stray from the confines of the train, which in a waybecomes a character itself, although thankfully it never feels toostatic, nor becomes stale. This is a thriller that takes its time topresent a credible realism – all the better so that when the briefflashes of chaos and action do erupt we are invested in the characterslives and the predicament they face becomes a life threatening battlefor survival with, only too real, motive and consequence.

To reveal the details of some of the emotionally charged scenes wouldbe remiss, save to say that Dougray Scott turns in a performance ofrestrained gravitas that recalls the promise of his earlier work. Infact the cast seem uniformly intent on selling the danger and urgencyof the piece.

All in all, I found Last Passenger to be a thoroughly entertaining filmthat I'll be seeking out again when it's released on the big screen inthe UK.

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Last Passenger (2013) Review by Andrew Tilling from London
From the start Last Passenger feels like the kind of suspense film youdon't see any more. There is character development. And relationships Icare about between the people on the train. I was really interested inhow these strangers are getting along when along comes the threat. Istill had The Birds on my mind and have always loved how the you get onthe edge of your seat simply on the love interest alone, well beforethe birds start to attack. Versus something like Hostel where they rushto the danger, don't set up the characters, you don't care what happensto them, and you'd just like them to hurry up and live or die so youcan go home. Last Passenger gets back to the Hitchcockian "build". Ireally liked Dougray Scott. I had only seen him in smaller roles but hetotally owns this film. I also really like Kara Tointon who I hadn'tseen before and I not sure why. She's great. Even the little boy isfantastic. He actually reminded me of the kid that played Danny in TheShining. Just a little less creepy. Anyway... good acting, cool storyand a fun idea.

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Last Passenger (2013) Review by filmliebhaber-tom from England

PLOT

Lewis Shaler (Dougray Scott) is a busy doctor and a single father. Onhis way home with his toddler son he checks into the last train toLondon where he meets an cute stranger (Kara Tointon). They startfeeling attracted to one another but the fling does not last long. Asthe train does not reach its destination, the emergency brakes seem notto work and with no travel attendant in sight a few passengers startsensing evil. A suicidal madman has taken control of the train planningto crash into sure death, killing everyone aboard with him. Will thepassengers be able to escape their fate?

REVIEW

Revisiting the better horror flicks of decades gone, it's quite obviousmany have been made by young directors without large portions ofprevious directing chops. Especially within the boundaries of thehorror genre a trend switching focus from commercial mainstream fare tofinancially modest independent productions is in effect. And this isn'tnecessarily a bad thing. LAST PASSENGER, under review here, also is oneof those spirited efforts brought to life without millions of Dollarsbut nevertheless presenting the guts enough to push the audience'sneedle deep into the red. Director slash co-writer OMID NOOSHIN, lastploughing the fields of the short film, uses his first feature film toprove that minimalist storytelling and a handful of well written andexecuted ideas suffice to manufacture a nerve wrecking piece ofthriller cinema. Presumably British producer UK FILM COUNCIL (THE IRONLADY, MY WEEK WITH MARILYN) had the same impression and took care ofthe financial side.

LAST PASSENGER has the spectator witness the helpless interactions of agroup of panic stricken travellers doing their utmost to regain controlof the train gone high speed coffin and prevent it from killingeverybody. Director OMID NOOSHIN tries his best, sticking to a realistapproach. Sure, in the beginning the people aboard fall victim to yeolde behavioural patterns seen in many a genre trip before but over thecourse of the film the plot takes a healthy turn and the rareoccurrence of an ensemble cast without a total jerk in their midst canbe spotted. The passengers' behaviour seems fully understandable, theiractions are depicted authentically to a degree which has the spectatorgo introspect and question his or her own possible ways when facing thedesperate and nightmarish scenario of THE LAST PASSENGER. Even whentaking into account the not all too new basic idea of the movie and thecertain amount of time the film takes to equip the characters with themental tools needed to solve the problems posed, NOOSHIN easily managesto conjure an atmosphere of claustrophobia which perfectly emphasizesthe basic mood of the movie. It is not the lack of space in the trainbuilding tension, it's the desperation and helplessness among the groupof protagonists who seem to be clueless how to stop the train. Forthose who – especially towards the film's adrenaline rush middle part -can't bear staring at the damned doing what they can to undock thewagons: Of course the film manoeuvres towards a happy end.

However, before the soothing credits roll, film fans will be part of agrade A suspense thrill ride. If you fancy entertaining thriller cinemathis one's for you. Thrills lightly marred by budgetary restrictionsbut flawlessly put to film. Especially regarding the debut factor.

So hop in, next stop: LAST PASSENGER. Have a great ride!

THE BOTTOM LINE:

Sweat-inducing suspense fare, not for the faint of heart. A film formoviegoers who dig impeccably directed pieces employing a gradualincreasing of thrills by the minute. Surprisingly good independentcinema!

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